From:
Bill Marsh <bmarsh54@zzzzzzzzzzzzz>
Date:
Fri, 18 Jun 2004 22:54:55 -0400
Subject:
Noguchi
Any takers on this question?
Quoted text begins.Speaking of Isamo, he has a series of pieces that are basically rounded
stones leaning against or interlocking, the surfaces of which are raw and
pitted. They look like they have been worked over with a point. How does he
get those distinct pits all ove the surface (some quite deep), without
breaking off the high stuff between them? Are they drilled? Does he use a
very thin point? Whenever I try to do this, the point gets only so far into
the surface, then the surrounding stone starts to loosen and break off.
End of quote.
Any ideas?
Bill Marsh
- References
- message 00055: aesthetics - Ken Barnes (07 Jun 2004)
- message 00058: why carve? - Norman Watts (07 Jun 2004)
- message 00070: why carve? - Clive Murray-White (08 Jun 2004)
- message 00150: why carve? and distinctivnes and things - StoneSpider (15 Jun 2004)
- message 00151: why carve? and distinctivnes and things - Clive Murray-White (16 Jun 2004)
- message 00153: why carve? and distinctivnes and things - Bill Smith (16 Jun 2004)
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