From:
Robert Houghtaling <robert@zzzzzzzzzzzzzzzzzzzzzzzz>
Date:
Wed, 15 Feb 2006 01:23:05 -0800
Subject:
Pollock and fractals
Oscar Bearinger wrote:
Quoted text begins......There has been discussion about sending models away
and having other people do the carving. As well as having famous artists
train assistants to do the work. It is an interesting question when the
artist is not actually making the work and not even present during
production. What happens when the artigianni has tackled a particular
problem in a way that the artist himself wouldn't have?
End of quote.
This very thing has caused a lot of headaches in the graphic arts. It
has been ruled that a printer can claim copyright on an edition your
work because he has had to make decisions and on such things as color etc.
- References
- message 00376: Pollock and fractals - Norman Watts (13 Feb 2006)
- Previous by Thread: message 00390: Pollock and fractals - abknight (14 Feb 2006)
- Next by Thread: message 00381: Pollock and fractals - don dougan (14 Feb 2006)
- Previous by Date: message 00394: Pollock and fractals - Robin Antar (15 Feb 2006)
- Next by Date: message 00396: Giving credit - Norman Watts (15 Feb 2006)
